Guireans
- Film &
Video
Appearances
Founding
Guirean
Ken
"Francis
Street
Coppola"
Livingstone
always
had
aspirations
to be a
top
Hollywood
film
director,
and for
some
reason
thought
that the
Guireans
might
help him
get
there..
Inexplicably
snubbed
at the
Oscars
for the
26th
year
running
- after
once
again
hiring a
tuxedo
and
preparing
a 4-hour
acceptance
speech -
embittered
Director
Ken "The
Terminator"
Livingstone
prepares
to take
his
revenge
on the
Academy.
Consequently
the
Guireans'
legacy
isn't
just
confined
to
audio,
but
includes
a number
of film
and
video
appearances
as well.
Like the
tapes,
these
were
mostly
consigned
to the
back of
a
cupboard
with
great
haste after
they
were
made.
It is
generally
acknowledged
that the
Guireans
didn't
look any
better
than
they
sounded,
but for
the
determined,
the
catalogue
of
productions
in which
the
Guireans
have
featured
is as
follows:
The
Guireans
Video
(September
1981)
Ken
Livingstone
IS Ritchie
Blackmore IN
A Ken
Livingstone
Production,
Produced by
Ken
Livingstone.
Directed by
Ken
Livingstone.
Starring Ken
Livingstone
AS Ritchie
Blackmore
Personnel
(Left to
Right in
photo):
Ken
(Ritchie
Blackmore
Ramone)
Livingstone
: Guitar
(Mimed);
Flares and
Hair
Flapping
Jimmy
(Paice)
Petrie :
Chad Valley
Drums
(Mimed),
Dodgy Wig
Wearing.
Gordon
(Gillan)
Macleod:
Vocal
(Mimed);
Broom
Handle,
Posing
John (Lord)
Allan:
Keyboard
(Mimed);
Dodgy Wig
(2) Wearing
Iain
(Glover)
Livingstone:
Bass (Mimed)
– with a
6-string
guitar
Ken "Coinneach
Russell"
Livingstone
had just got
his very
first sound
cine camera,
and decided
to teach
himself to
sync up a
soundtrack
with the
visuals on
Super-8
film. To
this end he
decided to
make a pop
video, and
not knowing
any proper
bands he
chose to
get the Guireans to
mime to Deep
Purple’s “Fireball”
in Gordon's
back garden.
There was
one minor
snag;
everyone had
already left
the band in
the wake of
the
disastrous
lost second
album
"EMI
Cassette
Super C60".
Without
exception
they had
decided that
being in the
Guireans was
really
uncool.
James
("Awright,
Yoko")
Petrie had
even gone as
far as
staging his
own
assassination
in order to
dissociate
himself from
the band and
regain some
semblance of
credibility
(See
Tapeography
entry for "EMI
Cassette
Super C60"
), so by
this stage
he was
supposed to
be dead.
However, Ken
("The
Persuader")
Livingstone
did a bit of
fast
talking and,
through a
combination
of vanity,
gullibility
and crass
stupidity
(his and
theirs),
managed to
get the
original
line-up to
relent and
get together
one last
time,
including
the late Mr
Petrie - who
looked remarkably
well under
the
circumstances.
The fact
that no
musical
skills would
be required
this time as
all they had
to do was
mime to
someone
else's song
- and pose -
was doubly
appealing to
Gordon and
Ken, as can
be seen from
the
exaggerated
posturing in
the picture.
Nevertheless,
there were
musical
differences
as Ken and
Gordon
fought bitterly
over the
choice of a
backing
track.
Gordon was
strongly in
favour of a
more
contemporary
(ie
trendy) song
being
chosen. Luckily,
nobody
else knew
how to
mime in a
Duran Duran
style and so
Gordon's
choice was
abandoned in
favour of
the
marginally
less
embarrassing
Purple
number.
Unfortunately
Bass
mimer Iain
("Heyyyy -
I'm The
Fonz, cove")
Livingstone
hadn't studied
many Deep
Purple
videos, and had
only a
limited
repertoire of anachronistic
Elvis and
Johnny Cash
poses to
draw on, as
can be seen
from the
photo.
Paice and
Lord's wigs
were
supplied
courtesy of
school drama
club luvvie
Ken's old
mentor,
Steinish
thespian
Brenda
Macleod. (The
same wigs
were also
seen in
Ken's
1977 LA
Cop movie "Turkey
and Smutch").
Les
Mauvaises
Jeunes
(1983)
Un film de
Ken
Livingstone
avec Ken
Livingstone
etc etc.
Not The
Guireans -
"Les
Mauvaises
Jeunes" was
a "star
vehicle" for
Newvalley
Art Rockers
and Dexy's
Midnight
Runners
lookalikes
Swedish TV
-
L-R: John
"Pluckan"
Murray, Rod
"Prof"
Macrae, Neil
"Huggan"
Huggan, Alex
John
"Guinness"
Kennedy.
Personnel:
Iain
(Deadstone)
Livingstone
: Bass;
Chanter;
Alasdair
(Bod)
Mackay:
Guitar;
Screaming
Roddy
(Huggan)
Huggan:
Screaming.
Aspiring
auteur Ken
had noticed
that the
French
directors
who made the
weird films
on BBC2 on
Saturday
nights
received a
critical
acclaim
sadly
lacking in
his own
sputtering
career. The
obvious
solution was
to make an
arty French
film right
here in Le
Wis. The
film was
loosely
scripted as
a vehicle
for cerebral
Newvalley
art rockers
Swedish
TV and their
(coincidentally
French) song
“Nous
Sommes Merde”.
However, it
featured a
cameo
appearance
from the
Guireans as
Avante-Garde
Jazz
ensemble
Les Arts
Farts.
The Farts,
while
busking in
the Swing
Park in
Bayhead, are
“tragically”
gunned down
in slow
motion by a
woman
(actually
Derek (No
Head
Jackson)
Macleod in a
beannag and
a raincoat)
who has
escaped from
an insane
asylum, and
that’s the
last we see
of them.
Left
:
Auteur Ken
poncing
about with
Mexican
moustache on
the set of
Les
Mauvaises Jeunes.
Right :
Wanted
Poster for
the Madwoman
who guns
down Les
Arts Farts
(played by
the
Guireans)
The track to
which they
mime is
their own “B
Mucus for
Bop People”
from “Olacs
Vol 79”.
Screaming on
the
recording is
actually all
by Ken
Livingstone
but he does
not appear
as Un Art
Fart in the
film.
Sadly
Juliette
Binoche was
not
available
for sex
symbol
duties in
this
particular
French film,
and the
obligatory
femme
fatale was
played by
Grande Dame
of the
Stornoway
Thespians
Mavis Laing.
Now
there's a
Dun Ringles
connection
for you.
Other
notable
cameos in
the film
came from
Roddy
"Bingo"
Macdonald as the
obligatory recurring street
accordionist (playing
"Y Viva
Espana" as
it was the
only "continental"
sounding non-danns
a'rathaid tune
he knew),
and former
Rong manager
Roddy
"M*h*n"
Maclean
as
Le Cake Shop
Proprieteur.
Le Cake Shop
Proprieteur
is an
uncaring
petit
bourgeois,
unmoved by
the plight
of the
starving
Swedish TV
as they
drool at
the gateaux
in his
window.
Maclean's
lip synching
is
particularly
memorable he
urges the
hungry musos
to "go
away".
See The
Photo Album
"Guireans
on film" for
more
arty-farty
B&W stills
from the
"Les
Mauvaises
Jeunes"
shoot.
Guireans on
45 2001?
Roddy
(Brown
Envelope)
Morrison,
Tax Free
Actor and
Musician –
Guitar,
Vocals
Roddy
(Huggan)
Huggan –
Vocals
Aly
Macrae Oatcake
– Bass
An Other
Oatcake -
Drums
Roddy
Huggan’s
sprog
Alasdair –
Bez duties
Live
appearance
at Deadstone
and Fiona’s
wedding,
Caol
Community
Centre 28
July 2001.
While Roddy
(I’m a
professional,
you know)
Morrison’s
“proper”
band the
Oatcakes
take a break
from playing
a storming
gig, the 2
Roddies,
aided and
abetted by
the
bassist and
drummer from
the Oatcakes
and
by
Roddy
Huggan’s
sprog
Alasdair
(4ish)
on
“Happy
Mondays
style guy
who stands
around and
does
nothing”
duties,
shuffle on
and do “Walk
on the West
Side”. Sadly
Ken
“Unaccustomed
As I Am”
Livingstone
had
already
expended all
his video
tape
recording
his own
2-hour best
man’s
speech, and
thus failed
to capture
the magic
moment. Is
it possible
that someone
else
recorded
this
historic
event – the
first
Guireans gig
of the new
millennium?
Midges of
Rock 2003
Roddy Huggan
- Vocals,
Guitar
Dead Olac
Guirean Jr -
Bass,
Keyboards,
Chanter
Niall Hippy
- Vocals,
Bodhran (for
fleek's
sake).
Wattie &
Jason Dun
Ringle -
Stage
Invasion &
More Vocals
Several
mind-numbing
hours of
AGOFR
featuring
The Guireans
as well as
The Dun
Ringles,
Cyclefoot,
Zing-Pop,
Swedish
Transvestite
etc etc
performing
at the
legendary
Midges of
Rock
festival in
Knock in
2003.
Shot with a
single
static video
camera, so
the only
occasional
excitement
is when one
of Wattie's
wee coves
crashes into
the tripod
and it
shoogles a
bit.
Nobody's
ever
bothered
putting this
up on
YouTube so
you can't
see it. But
the songs
will be the
same as
those on the
3-CD box set
of the
festival "How
Much More
Cac Could It
Be"
Go to the
Midges of
Rock 2003
page and
read about
it instead.
Breaking
News 13
August
2003 -
Ken's
New
Movie...
Forget
everything
you read above -
our
Hollywood
correspondent
reports
that portly
accountant
and
amateur
camera
botcher
Ken "Ten
Ton
Tarantino"
Livingstone
has
finally
hit the
movie
big
time,
appearing
to
rapturous jeers
at
the World
Premiere
of "his"
new film
Solid
Air
at the
Glasgow
Film
Theatre
last
Saturday.
Starring
Maurice
Roeves
(thon
cove out
of Tutti
Frutti
who
wasn't
Robbie
Coltrane
or
Victor
Meldrew), "Solid
Air" is
a film
about
somebody
or other
with
asbestosis
in
Glasgow. Evidently
the plot
isn't as
good as
Ken's
earlier
efforts
such as
The Six
Dollar
Man or
Les
Mauvaises
Jeunes
but
there
you go.
The
ever-modest
Ken says
he's
chosen
to take
a back
seat
role in
this
particular
production
in order
to let
his
protege,
rookie
director May
Miles
Thomas
find her
feet. Apparently
this explains
the fact
that you
have to
wait
until
the
lights
go up
and the
cove
that
sweeps
up the
popcorn
is
nearly
finished before his
name
finally
appears
in the
credits.
Not only
that,
but the
self-effacing
movie
mogul didn't
even
complain
when
they mis-spelt
his
"Auteur" credit
as "Auditor".
Rumours
that
"Solid
Air"
could be
in the
running
for next
year's
"Best
Accounting
on Set"
Oscar
were not
denied
by Ken
yesterday.